Birth/Rebirth takes the Frankenstein myth back to its feminist horror roots

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A.J. Lister as Lila in Birth/Rebirth. | Image: Shudder

There are multiple moments throughout director Laura Moss’ brilliant new psychological horror drama Birth/Rebirth that are so abjectly brutal that the festival goers who reportedly fell ill while watching the movie at this year’s Sundance could almost be forgiven for their theatrics. Birth/Rebirth’s story of two unlikely kindred spirits finding one another in the midst of tragedy is both disturbing and moving as it reworks pieces of Mary Shelley’s Frankenstein into a modern-day myth about motherhood and mortality.

Between its unflinching focus on the dangers of pregnancy and its depiction of the violence hidden throughout the US healthcare system, Birth/Rebirth might leave you feeling deeply unsettled. But as macabre as the movie gets,…

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